Mary Jo Bang
Mary Jo Bang is the author of eight books of poems—including A Doll for Throwing and Elegy, which received the National Book Critics Circle Award—and translations of Dante’s Inferno, illustrated by Henrik Drescher, and Purgatorio. She teaches at Washington University in St. Louis.
I Could Have Been Better
if I hadn’t been me but I was stuck
with my head tracking my thoughts,
my self tracing each second back
to a biblical beginning where
A was A and Eve was some elusive
bog-buried Lucy deep in the silt
of a mythic mountain where
Sisyphus opened his red-leather diary
and copied down the same
daily assignment. Once, in the middle
of a disaster, a procedural
policewoman knocked at my door
to ask whether I was all right.
Yes, I said, I was, but only if
we discount the present.
Later, lying in the bed I was born in,
I tallied my many errors, then added
my everlasting love of the few
I’d caught sight of in the midst
of being me. It was as if I had gone
to another country and now
couldn’t return without leaving part
of myself behind. I wanted to say
I love you but each time I tried,
the past tense pushed through.
There at the edge of the water—
Venus was where I’d last left her,
standing on a half-shell, staring hard
at reeds bending in the wind. She & I
both wanted to see something change.
The Doctor’s Monster is Drowning
A cameo radio telescope relentlessly pivots
to record the cosmic energy
continually drifting in from the spiral
maze of outer space. It’s a mirror of a mirror—
the core and substance of it untouched.
That agitated turbulence matches
the bizarre distortion of the light that paints
the face and fills the O. Impartial lightning
strikes the water, then disappears. Electricity.
Like Virgil says, each is pulled toward
one’s own idea of pleasure. The mind goes on
arguing. The watch-dogs bark. Bow-wow.
I close my eyes while forward facing the lake
until I stop, lie down, and look up to examine
the pattern the light leaves. Ophelia,
I think, looking like she’s in a state of thinking
she had never seen anything like it, however,
she had. She drowned. I am as she was
when alive and touching the seam where water
laps over its own edge above and below.
The Crowd Closes In
Above the crowd closing in were the three stars
that stood for three men, plus the constellation
of the girl with her legs apart, delivering
that nebula named The Pillars of Creation.
Rain was now bringing light to the clouds
across an expanse, while I continued on my way
to the scaffold. I had erred. Of course,
there were others before me. There was
Kafka and the problem of the father. Electra
and the problem of the mother. Freud
and the problem of the he, she, or they,
one kept wanting to see through the keyhole.
There was green, and all that green means,
including the neon highway to heaven.
There was C, whom I truly did love once
and S, whom you could say I still did.
As soon as I said it, I knew I was wrong.
When the trapdoor below me opened, I froze
in terror. This after having navigated the way
back from the border known as the brink.
I raised my wrist to my face
and watched as one hand quickly closed the interval
while the other, which had fallen behind,
seemed not to move. I thought, What a big stupid
O, that oculus. It only followed that a snake,
unable to find its way out, would swallow its tail
and pretend to be Other. Then keeping time would
begin, then the perpetual story where the second
in line was a girl who got blamed for nature.
Then the stupid wheel, the stupid pinion, the stupid
sluice, the stupid flood gate, the stupid oar,
the stupid mouth dripping spit and women
sliding under water. Even now, gold is collected
in the front office while in the back, men grunt
and rub their origins as a priest with a money belt
whisks in from the hallway to say, Hey, give us a kiss.
I saw the comic come on and quiet the audience.
I heard her say, “The fool’s job is to make the tragic
seem laughable.” “Now take your medicine,” she said.