Michael Joseph Walsh
Michael Joseph Walsh is the author of Innocence (CSU Poetry Center, 2022) and co-editor of APARTMENT Poetry. His poems, reviews, and translations from the Korean have appeared in the Brooklyn Rail, Denver Quarterly, DIAGRAM, Guernica, FOLDER, Fence, jubilat, and elsewhere. He lives in Denver.
Meridian
This feeling at least is certain.
I walk slowly alongside it.
One part is sickness,
one is intimacy
that walks in the sun,
a thin and vast
undulation
to which people speak,
or the closed eyes
of the lake that turn
me out of myself
and set no limit to love.
Just as the scenery,
when it is truly seen,
reacts on the life of the seer,
so the beloved's
gait becomes clear to you
and shatters the smooth body of the crowd.
What I’m saying is,
our hells are not the same.
In autumn
when one has the strength,
in spring when one crawls
out of the sun
and into the lake, the truth
is one jerky step, is a mode
of sleep less light more flesh,
where the usual things
have density
and over the churning
oil you feel the eyes of all you wanted
fixed on you.
In the end what stands out is the green mountain,
the cloud drifting across it.
Let everyone live, let no one
disappear.
Let the blood walk
its slow loop around its meridian,
and the flowers keep time for us,
opening and closing their mouths.
The measured earth is neither whole,
nor shadow of a whole.
All mountains are polyglots.
And though the sun is hot,
and though I tremble,
let those gates slide open for me.
Forecast
If each of us is arriving
now under the sign of feeling,
which here in sweet
eerie thoughtlessness is
constellated as the knowledge of evil,
then we can say that what arises
in the shadow of that
cross-eyed star is what
saying nothing means
in the context of this recording:
this territory
that would be our friend
and in the fruit
of our split would call out from that whorl
which in summer I remember & in winter I
put deep back in the ground.
This is what it means to live
without figure, between oneself, having passed
from speech to warm
presence without first
(& this is the miracle)
having with dim dis-
connectedness poured the juice of that meat
out into the paid-for air.
The light that spills
through the window is warm,
& crushes this image,
& with a careful human
glance embeds its name in the dark,
then swallows us whole.
What follows from this
expands as a feeling arises:
that you will you meet me on that ground, or find me
before one order
of feeling folds into its brethren,
fact of that ugly future, sunlight
over the bed with stillness & broken glass.
& so what I seek
I experience constantly.
& love is here, & toward me
the danger that wakes the day's swallowed back, candle
that turns its light from mirror
to bitten mouth.
It is already a world,
this hybrid machine.
It is the prettiest
ambrosial flower, fluid-soaked
& normal.
& one connects with this
the raw night
one has a fondness for,
the animal that in its walking conceals
what gentleness, luxuriant cruelty,
which is the story of every accessible form.
The day is long,
it fills up with paper.
The program to which I submit myself
grows murky.
It forecasts this very dream.